
- Bio
- A few words about my dance
- Premieres with Dada von Bzdülöw
Theatre
- Roles in drama theatre
- In dance projects
- Seasons in the companies
- Directions and choreographies for drama
theatre

Leszek Bzdyl (1964)
- actor, dancer,
choreographer,
director
- dance teacher ,
- founder and artistic director
of Dada von Bzdülöw Theatre
CONTACT:
T: +48 501 763 066
E-mail: bzdyl@tlen.pl
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Professional stage career since 1987 (Henryk Tomaszewski's Wroclaw
Pantomime Theatre 1987-1990; Wojciech Misiuro's Expression Theatre1990-1992).
A director, choreographer who appears in most Dada von Bzdülöw
Theatre productions. Honored with awards for his artistic achievements
by the Mayor of Gdansk (1998) and the Mayor of Gdynia (1999). In
1999 granted the Minister of National Education award. In 2002 a
holder of Gdansk City Art Grant.
As a choreographer and stage movement director he has co-operated
with many theatres all over Poland. Yet has participated in nearly
40 productions. The most important: Dog's will (dir. by P. Cieplak,
Rozmaitosci Theatre, Warsaw), The Power (dir. by J. Englert, The
National Theatre, Warsaw), An Angel descended to Babylon (dir. by
J. Wernio, City Theatre, Gdynia), Winnie P. (dir. by P. Cieplak,
Studio Theatre, Warsaw), Hamlet (dir. by J. Glab, Drama Theatre,
Legnica). In City Theatre in Gdynia performed as a drama actor,
e.g.: Caliban (The Tempest, William Sheakspeare), David (Unidentified
Human Remains, Brad Fraser), Clarin (Life Is a Dream, Calderon de
la Barca).
He has participated in many international productions, e.g.: The
Rape of Europe - Landscape X (Intercult, Stockholm), In the body
and Papugaj (Baltic Dance University - Gdansk), Drop Dead Gorgeous
(co-production with Vincent Dance Theatre / England). In 2004 within
the international SEAS project on the premises of Gdansk Shipyard
he directed ODYS-SEAS event . Between 1997-2000 in City Theatre
in Gdynia he patronized a cycle of artistic events called A Day
of Beautiful Society. Since 2002 has patronized Dance Corporation
Festival in Gdansk.
He gave classes in the National Ballet School in Gdansk, as well
as, in the Performing Arts School at the Musical Theatre in Gdynia.
Since 1990 has been giving theatre workshops and dance classes in
Poland and abroad (e.g UK, Germany, Sweden, Finland, France, The
Czech Republic).
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A few words about my dance:
The way I feel about modern dance is a result of my rich individual
experience (nearly 90 theatre and choreographic projects in 1987-2003,
ten years of studio practice with Dada von Bzdülöw Theatre,
many years of educational activity). I have been also strongly influenced
by meetings and co-operation with dancers, mime artists and choreographers,
such as: Marek Oleksy, Melisa Monteros, Tatiana Baganova, Rip Parker,
Randall Scott, Avi Kaiser, Cornrlius Fisher Credo, Chris Aiken,
Thomas Hauert, which determined my movement system and its functions
in performance/ choreography presentation.
My technique is strongly rooted in the theatre tradition. For me,
dance is currently the most complete and most effective training
in the preparation of an actor's body for stage performance. In
my technique the very impulse initiates a dance, as well as any
forms of voice trainings. Organic movements of the dance do not
create any barriers between a stage dialogue and creation of abstract
forms.
I conduct a workshop, which is mostly focused on an encoded lesson
of modern dance. An essential part of my proposal, however, is relaxation
and improvisation (both in dancing and acting). In my work I concentrate
on such preparation of a dancer so that his body consciousness,
rhythm consciousness and dance economy could help him to participate
efficiently and freely in the process of creation (theatre performance,
choreography).
My work method, or the system I use and which I may propose:
- consistent balance between tension and relax,
- integration - co-ordination of movement and breathing,
- finding out anatomic relations of movement apparatus,
- conscious usage of our potential and abilities when dancing,
Expansion of space inside the body and establishing relations of
a dancing body and stage space, a dialogue with a partner and all
successive stages of setting the theatre activity are just the result
of the elements of the system mentioned above.
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Premieres with Dada von Bzdülöw Theatre:
2006
- Eden
15/03, Klub Zak, Gdansk
directed by: Leszek Bzdyl; created and performed by: Katarzyna Chmielewska,
Julia Mach, Anna Steller, Urszula Wróbel, Leszek Bzdyl, Filip
Szatarski; music: Rafal Detkos & Grzegorz Welizarowicz; costumes:
Magda Bem; light: Michal Kolodziej
2005
- The Corpse
21/01, Klub Zak, Gdansk
choreography and music: Andrzej Morawiec; performed by: Leszek Bzdyl;
light: Michal Kolodziej
- Bonsai
20/01, Klub Zak, Gdansk
choreography: Katarzyna Chmielewska; performed by: Leszek Bzdyl;
light: Michal Kolodziej
2004
- Several Witty Observations (a la Gombrowicz)
10/06, Klub Zak, Gdansk
directed by Leszek Bzdyl; created and performed by: Katarzyna Chmielewska,
Rafal Dziemidok, Bzdyl; music: Mikolaj Trzaska; set design: Maciej
Chojnacki; light: Michal Kolodziej
2003
- Strategy
11/01, Klub Zak - Gdansk
script, direction and performed by: Leszek Bzdyl; texts of songs:
Lech Janerka; music: Blurt; co-direction: Piotr Cieplak; light:
Michal Kolodziej; photos: Dorota Walentynowicz
2002
- Magnolia
28/08, Klub Zak - Gdansk
directed by: Leszek Bzdyl; created and performed by: Katarzyna Chmielewska,
Leszek Bzdyl; music: Mikolaj Trzaska; costumes: Katarzyna Piatek;
light: Michal Kolodziej
2001
- Drop Dead Gorgeous
5/ 10, Arfnolfini - Bristol
co-production Vincent Dance Theatre & Dada von Bzdülöw
directed by: Charlotte Vincent; creation and dance: Leszek Bzdyl,
TC Howard, Patrycja Kujawska, Aurora Lubos, Peter Shenton, Charlotte
Vincent
- Dialogus in conventione
4/07, Teatr Maly - Warszawa
idea: Katarzyna Chmielewska; creation and dance: Katarzyna Chmielewska,
Magdalena Reiter, Leszek Bzdyl; set: Tomasz Krupinski, music.: Wojciech
Mazolewski, costumes: Katarzyna Piatek
- Room for hire
14/01, Teatr Wybrzeze - Gdansk
text: Dariusz Bazaczek; directed by: Leszek Bzdyl; music: Wojciech
Mazolewski; set: Dariusz Bazaczek; costumes: Katarzyna Piatek; performed
by: Patrycja Kujawska, Bzdyl, Wojciech Mazolewski
2000
- Uff... !!!
22/08 Teatr Wybrzeze - Gdansk
creation and dance: Aurora Lubos & Leszek Bzdyl; music: Mapa,
Ewa Braun, Mordy
1999
- Apartment no 7
14/10, Teatr MU - Budapest
directed by: Leszek Bzdyl; costumes: Katarzyna Piatek; creation
and dance: Magdalena Reiter, Patrycja Kujawska, Leszek Bzdyl
- An old style comedy therefore nothing ha-happens
19.02 1999, Teatr Miejski - Gdynia
directed by: Leszek Bzdyl; choreography.: Bzdyl & Chmielewska;
costumes: Katarzyna Piatek; music: Chlupot Mózgu; performed
by: Katarzyna Chmielewska, Milena Rewinska, Bzdyl, Mariusz Jedrzejewski,
Wojciech Kolesinski, Patrycja Kujawska & Chlupot Mózgu
(Jacek Staniszewski, Grzegorz Welizarowicz, Bartek Adamczak)
1998
- Wapiti versus the rest of the world
31.12, Teatr Miejski - Gdynia
choreography: Katarzyna Chmielewska; directed by: Leszek Bzdyl;
costumes: Katarzyna Piatek; performed by: Patrycja Kujawska, Chmielewska,
Anna Steller, Bozena Zezula, Bzdyl
- Pavane in honour of love
10.01, Teatr Miejski - Gdynia
directed by.: Leszek Bzdyl; performed by: Anna Nowek, Anna Steller,
Patrycja Kujawska, Bozena Zezula, Magda Chrzan, Danuta Kleidysz,
Radoslaw Hewelt, Wojciech Kolesinski, Milena Rewinska, Bzdyl
- Father
10.01, Teatr Miejski - Gdynia
choreography: Randall Scott, dance: Katarzyna Chmielewska, Magda
Chrzan, Anna Steller, Bozena Zezula, Leszek Bzdyl, Radoslaw Hewelt,
Wojciech Kolesinski
- Sonata
10.01, Teatr Miejski - Gdynia
choreography: Katarzyna Chmielewska; costumes: Agnieszka Jatkowska;
performed by: Katarzyna Chmielewska, Patrycja Kujawska, Leszek Bzdyl,
Radoslaw Hewelt, Filip Szatarski
1997
- This way or do what you want
28.07, Wannsee Forum - Berlin
directed by: Leszek Bzdyl; choreography: Bzdyl & Chmielewska;
performed by: Chmielewska, Bzdyl, Piotr Grabowski, Sabina Opalka,
Patrycja Kujawska, Rafal Dziemidok, Radoslaw Hewelt
1996
- The man who was lying - for example Heiner Müller
29.07, Wannsee Forum - Berlin
directed by: Leszek Bzdyl, set: Jacek Darol Dembinski; performed
by: Magda Chrzan, Danuta Kleidysz, Anna Nowek, Anna Steller, Bozena
Zezula, Milena Rewinska, Wojciech Kolesinski, Bzdyl
- There wasn't, there won't be, so there isn't
13.07, Teatr Muzyczny - Gdynia
directed by: Leszek Bzdyl; choreography: Bzdyl & Chmielewska;
performed by: Katarzyna Chmielewska, Patrycja Kujawska, Bzdyl, Radoslaw
Hewelt, Wojciech Kolesinski
- The heart wrencher or the tube of shame
16.03, Ratusz Staromiejski - Gdansk
directed by: Leszek Bzdyl; dance: Milena Rewinska, Anna Nowek, Anna
Steller, Bozena Zezula, Magda Chrzan, Danuta Kleidysz, Wojciech
Kolesinski
1995
- The remain of the remain of love
17/09, Teatr Miejski - Gdynia
choreography: Bzdyl & Chmielewska; costumes: Elzbieta Wernio;
music: Robert Kanaan; dance: Marzena Bojanowska, Chmielewska, Patrycja
Kujawska, Bzdyl, Rafal Dziemidok, Radoslaw Hewelt
1994
- The doom of the people or my liver has no sense
10/ 12, KSW Zak - Gdansk
directed by: Leszek Bzdyl; music: Patrycja Kujawska; costumes: Dorota
Cybulska; performed by: Chmielewska, Dorota Cybulska, Anna Koscielna,
Patrycja Kujawska, Joanna Koscielna, Dominika Radzikowska, Bzdyl,
Rafal Dziemidok, Radoslaw Hewelt, Robert Polyn, & Kaja
- In the shadow of blooming girls
10/06, Teatr Kameralny - Sopot
directed by: Leszek Bzdyl; costumes: Dorota Cybulska; performed
by: Edyta Niemiec, Katarzyna Niemiec, Anna Nowek, Agata Predota,
Milena Rewinska, Anna Steller, Elzbieta Wysocka, Bzdyl, Wojciech
Kolesinski
1993
- Peep Show
14/08, Wannsee Forum - Berlin
directed by: Leszek Bzdyl; set: Jacek Darol Dembinski; performed
by: Katarzyna Chmielewska, Dorota Cybulska, Anna Koscielna, Joanna
Koscielna, Dominika Radzikowska, Bzdyl, Radoslaw Hewelt, Robert
Polyn
- Girls, dolls and nothing
4/06, Teatr Kameralny - Sopot
directed by: Leszek Bzdyl; set: Jacek Darol Dembinski; performed
by.: Malwina Dankiewicz, Dominika Maciejewska, Edyta Niemiec, Katarzyna
Niemiec, Anna Nowek, Agata Predota, Milena Rewinska, Anna Steller,
Elzbieta Wysocka, Bzdyl, Wojciech Kolesinski
- The people as the birds
16/01, Palac Mlodziezy - Gdansk
performed by.: Dominika Maciejewska, Edyta Niemiec, Katarzyna Niemiec,
Anna Nowek, Agata Predota, Milena Rewinska, Anna Steller, Elzbieta
Wysocka, Wojciech Kolesinski
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Roles in drama theatre:
2003
Clarin
Live is a dream - Calderon de la Barca
direction - Julia Wernio
premiere: 27.06.2003, Gdynia / Orlowo - summer stage of City Theatre
2000
David
Unidentified human remnants or true nature of love - Brad Fraser
direction - Piotr Kruszczynski
premiere: 30.12.2000, Gdynia - City Theatre
1999
Kaliban
The Tempest - William Shakespeare
direction - Julia Wernio
premiere:7.07.1999, Gdynia / Orlowo - summer stage of City Theatre
1997
Automatic Controller
Ten Life-sizes Pictures - Dariusz Bazaczek
direction - Dariusz Siastacz
premiere:31.12.1997, Gdynia - City Theatre
1996
Man
On the edge of live - Gao Xingjian
direction - Edward Wojtaszek
premiere: 16.11.1996, Gdynia - City Theatre
Ironical,
denying the existence the love, full the contradictions - David
in Leszek Bzdyl's interpretation is without any doubt one of the
best male creations, which we could recently see on stages of the
Tri-city. Bzdyl draws perfectly this complicated nature, which uses
cynicism to conceal its longing for warmth and closeness. Characteristic,
hoarse voice, sharp features, soft movements - Kruszczynski made
no mistake casting thereon dancer, mime and choreographer (as an
actor sensu stricto he is practically an amateur) as a main character.
Bzdyl simply IS David; he does not play anything, he fully identifies
himself with the part, giving his character an outline of ambiguity.
He plays with his whole self, does not give up elements of dance
theatre, adding a new value to traditional actor's workshop
Bratumila Pawlowska, This is not MTV, this is live... , Zycie
na fali, 10.01.2001
Wild and hideous servant Kaliban was played excellently by Leszek
Bzdyl (...)
Action happens volubly, there are several daring scenes, mainly
with participation of Bogdan Smagacki and Leszek Bzdyl.
Dorota Sobieniecka, Burza - Spektakl natury, Glos Wybrzeza,
11.07.1999
Bzdyl's Kaliban is a wild and hideous figure, just as Shakespeare
himself wanted him to be - dangerous, funny but also tragic. Bzdyl
created a characteristic part, giving his character a dramatic outline.
( ... ) Storm in Julia Wernio's staging has a load of coarse humour
(splendid drunken scenes with Stefan played by Dariusz Siastacz,
Trinkul - Bogdan Smagacki and Kaliban - Bzdyl)
Anna Jesiak, Trojmiasto, 1999
That is him who shrugs his shoulders very suggestively, cuts the
air with a definite gesture, twists his face, smiles, opens his
mouths. He is a mute witness and patient listener of this feminine
tirade. The scene where Bzdyl moves his lips voicelessly simultaneously
with Mrozinska's part is truly impressive.
Monica Brand, Ja, Gazeta Wyborcza-Morska, 20.11.1996
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In dance projects:
2006
Co-operation / Polish-Swiss chorographical project
/ Le Batie Festival in Geneva (Switzerland)
2001
Drop Dead Gorgeous - choreography: Charlotte Vincent
co-production Dada von Bzdülöw Theatre and Vincent Dance
Theatre (England)
2000
Papugaj - choreography: Tatiana Baganova
Baltic University of Dance - Gdansk
Extra dry - choreography: Edyta Kozak, Leszek Bzdyl
Festival - Street Art - Warsaw
1999
In the body - choreography: Avi Kaiser
On the edge - choreography: Rip Parker, Leszek
Bzdyl
Baltic University of Dance - Gdansk
1998
Beckett / Implantate - idea: Grzegorz Klaman
choreography: Katarzyna Chmielewska, Leszek Bzdyl
Künstlerhaus Bethanien - Berlin
The Rape of Europe - direction by Piotr Cieplak
choreography: Leszek Bzdyl, Katarzyna Chmielewska
Landscape X - Euralien - Stockholm
1997
Father - choreography: Randall Scott
Festiwal Dansontmoeting - Utrecht
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Seasons in the companies:
1994
/ 1995
Gdansk Dance Theatre
performances:
- Storage / choreography. : Melissa Monteros and company
- Parenthetically / choreography.: Wojciech Mochniej
- Empty rooms / choreography: Melissa Monteros
1990 /1992
Expression Theatre - Wojciech Misiuro's company
performances:
- College no 24
- Idol of perversion
- ZUN
- People of Danton
- Dead can dance
1987 / 1990
Wroclaw Pantomime Theatre - Henryk Tomaszewski's
company
performances:
- Seven Days King
- Midsummer Night Dream
- Wasteful Son
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Directions and choreographies for drama theatre
(directions is noted - rest is chorographical
work)
2006
Othello - William Shakespeare
direction.: Jacek Glab
Modejska's Theatre, Legnica
2005
Un Chapeau de paille d'Italie- Eugene Labiche
Rez.: Piotr Cieplak
Powszechny Theatre, Warsaw
The
Power - Nick Dear
direction.: Jan Englert
National Theatre, Warsaw
Cosmos
- Witold Gombrowicz
direction.: Jerzy Jarocki
National Theatre, Warsaw
2004
ODYS-SEAS
direction: Leszek Bzdyl
Old Shipyard in Gdansk
Richard
III - - William Shakespeare
direction: Jacek Glab
Polish Theatre, Bydgoszcz
2003
She is conflicting - Piotr Martin
direction: Leszek Bzdyl
Theatre Wybrzeze, Gdansk
White
Marriage - Tadeusz Rozewicz
direction: Grzegorz Wisniewski
Powszechny Theatre, Warsaw
Rises
and sets of city - Robert Urbanski
direction: Jacek Glab
Modejska's Theatre, Legnica
2002
Mersi, or Shipov's cases - Bulat Okudzava
direction: Jacek Glab
Modrzejewska's Theatre, Legnica
Revenge
- Aleksander Fredro
direction: Piotr Dabrowski
Modejska's Theatre, Legnica
Happy
End - Bertolt Brecht
direction: Marjore Hayes
Wybrzeze Theatre, Gdansk
2001
The Ninth Lovers of Catharine Foster
direction: Leszek Bzdyl
Wybrzeze Theatre, Gdansk
Hamlet
- William Shakespeare
direction: Krzysztof Kopka
Modejska's Theatre, Legnica
2000
Love on Madagascar - Peter Turrini
direction: Zbigniew Brzoza
Studio Theatre, Warsaw
Helver's
night - Ingmar Villqist
direction: Zbigniew Brzoza
Powszechny Theatre, Warszawa
Angel
steps down to Babylon - Friedrich Dürrenmatt
direction: Julia Wernio
City Theatre, Gdynia
Possessed
- Witold Gombrowicz
direction: Andrzej Pawlowski
Ateneum Theatre, Warsaw
The
marry wives of Windsor - William Shakespeare
direction: Piotr Cieplak
Powszechny Theatre, Warsaw
Wedding
once more - Marek Pruchniewski
direction: Pawel Kamza
Modejska's Theatre, Legnica
Operetta
- Witold Gombrowicz
direction: Waldemar Smigasiewicz
City Theatre, Gdynia
How
you are funny under the window - Zygmunt Konieczny
direction: Marek Pacula
City Theatre, Gdynia
1999
Winn the P. - A. A. Milne
direction: Piotr Cieplak
Studio Theatre, Warszawa
The
tempest - William Shakespeare
direction: Julia Wernio
City Theatre, Gdynia
Anthigone
- Sofokles
direction: Miroslaw Kocur
City Theatre, Gdynia
1998
Master Piotr Pathelin
direction: Edward Wojtaszek
City Theatre, Gdynia
Skin
of snake - Slobodan Šnajder
direction: Piotr Cieplak
Rozmaitosci Theatre, Warsaw
Dog
- Asja Lamtiugina
direction: Bozena Suchocka-Kozakiewicz
Rozmaitosci Theatre, Warsaw
1997
Collection of nonsenses- Wieslaw Dymny
direction: Marek Pacula
City Theatre, Gdynia
Japanese
tales
direction: Marzena Tokarska - Paludan
City Theatre, Gdynia
History
about Merciful or testament of dog - Ariano Suassuna
direction: Piotr Cieplak
Rozmaitosci Theatre, Warsaw
Midsummer
Night Dream - William Shakespeare
direction: Julia Wernio
City Theatre, Gdynia
Balladyna
- Juliusz Slowacki
direction: Robert Czechowski
City Theatre, Gdynia
1996
On the edge of live - Gao Xingjian
direction: Edward Wojtaszek
City Theatre, Gdynia
Misanthrope
- Moliere
direction: Julia Wernio
City Theatre, Gdynia
Parades
- Jan Potocki
direction: Edward Wojtaszek
King's Castle , Warsaw
Don't
disrupt of joy - Jan Kanty Pawluskiewicz
direction: Marek Pacula
City Theatre, Gdynia
1995
Violet cow or the troubles wit British cabaret
direction: Julia Wernio, Leszek Bzdyl
City Theatre, Gdynia
Love
for three oranges - Carlo Gozzi
direction: Tomasz Kowalski
City Theatre, Gdynia
Beelzebub's
sonata - Stanislaw Ignacy Witkiewicz
direction: Julia Wernio
Municipal Theatre, Gdynia
Next
time I will sing for you - James Saunders
direction: Michal Pawlicki
Musical Theatre, Gdynia
1994
Kurt Weill
direction: Leszek Bzdyl
Baltic Drama Theatre, Koszalin
Servitore
due padroni - Carlo Goldoni
direction: Edward Wojtaszek
Polish Theatre, Szczecin
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